A Voting “Off” Year? Not So Much.

By Erin Geiger Smith
The 2020 election was, to put it mildly, one for the history books. But with it, its months-long controversies, and a harrowing January attack on the U.S. Capitol behind us, we can take a nice, long break from thinking about voting, right? I regret to inform you that is not the case. The laws that lead to voter suppression, or, in the best case, smoother elections and improved access to the polls, are passed between elections. For new voting laws, 2021 has also turned out to be one for the history books.

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Nevada Humanities
You Are Your World Existingly

By Kurt Rasmussen
At the fiction writer’s group they keep telling me
not to write adverbly because it is very bad.
They heard it somewhere and it’s a rule now.
This news brings something in the mountains of my brain
to howl out wolfly lone across a precipice, knowing
that I am closetly an adverb myself. I want to stick up

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Christianna Shortridge
The Intimacy of Brevity: Praise for the Short Poem

By Angela M. Brommel
Brevity is a kind of intimacy. The short poem exists in the spark of a passing moment. It works because it has good emotional shorthand. The writer gives you a glimpse into another world, and you are invested in its story and images because you feel something even if you don’t have or understand all of the details.

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Nevada Humanities
Too Much Information

By Scott Dickensheets
Pity the historical novelist of the 2070s, ready to embark on a tale set in our times. The very plenitude of meaning-rich incident that tingles her storytelling antennae — a pandemic and a contested election and nationwide protests and an attempted insurrection and climate change events and Ted Cruz’s quarantine beard — will also pose a daunting challenge, as noted by many frazzled 2020 posts on the socials: If this was fiction, it would NOT be believable. There’s too much good stuff demanding inclusion, and we haven’t even gotten to the Cat Lawyer.

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Nevada Humanities
The Voice of the Turtle, and of My Life

By Michael Green
“Lo, the winter is past, the rain is over and gone, the flowers appear on the earth, the time of the singing of birds is come, and the voice of the turtle is heard in our land.” If those words look familiar, they are from Song of Solomon. They also are how Ernie Harwell began the first Detroit Tigers spring training broadcast for four decades. They meant spring had arrived, and so had baseball.

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Nevada Humanities
Delegation + Design

By Mark Salinas
Representation in the arts has shifted dramatically over the years from a traditional means of marketing–through established gallery or talent agency representation–to more expedited manners, which connects the artist and audience directly. For most artists, methods of remote self-representation—thanks to the internet—were commonplace before the pandemic. Lesser equipped with such physical flexibility are the traditional arts and culture brick-and-mortars whose artists, audience, and income rely heavily upon in-person experiences.

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Nevada Humanities
A Conversation with Isabel Wilkerson on Caste, Community, and Injustice in America

By Staff of Nevada Humanities
Today Nevada Humanities, in collaboration with Core Humanities in the College of Liberal Arts at the University of Nevada, Reno, The Humanities Center at Great Basin College, and with the Department of Interdisciplinary, Gender, and Ethnic Studies at UNLV, welcomes author and historian Isabel Wilkerson to a keynote talk about race, Black migration throughout the western United States, and her new book Caste: The Origins of our Discontents, a comprehensive analysis of the United States as a hierarchical society.

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Kathleen Kuo
A Breath of Fresh Air

By Staff of Nevada Humanities
Can you remember the last time you picked up a rock to study it, smelled a flower, listened to the birds in the trees, or lay on your back to watch the clouds go by? When was the last time you stepped outside and stopped to appreciate your surroundings? In these socially distant times, nurturing our relationships with one another has become of paramount importance, but it is worth considering how we can also find solace, comfort, and inspiration in our relationship with the natural world.

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Nevada Humanities
Vegas Folk

By Sean C. Jones
Several years ago, I tasked myself with doing what I’ve required my public-school art class kids to do for over 20 years – a “Daily Drawing.” I bet myself I could do 365 drawings daily, even on weekends, and post them on social media. It was fun, occasionally stressful, but I just drew whatever I wanted to.

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Nevada Humanities
FASHION CENS-US

By Mary Bennett
As a lifelong thespian, I have a tendency to approach my life/work/creative opportunities as roles that should be costumed and researched, whether they are related to theatre or not. Because I am a freelance thespian, I am also a renaissance minded person, creating and unearthing varieties of occupations to support my thespianism. Through my quest for filling in work voids, I have adapted the styles of the time to dress for my miscellany of occupational roles.

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Nevada Humanities
Moving to Music

By MJ Ubando
People always look skeptical when I tell them I’ve crowd-surfed. I don’t necessarily blame them. These days, and for most of my life, I’ve always been a bit of a grandma. At 32 years old, I love acrylic sweaters, a cup of warm tea, and will spout out Golden Girls quotes at any given opportunity.

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Nevada Humanities
Nevada P.S. I Love You

By Bobbie Ann Howell
What now seems like a thousand years ago I flew up to Reno from Las Vegas to meet two friends, artists Candace Garlock, Fine Arts Professor, Truckee Meadows Community College, Reno, and Cindy Whitaker, Cinderella Studio Photography, Winnemucca. We were meeting to talk about an idea we had for a cultural exchange project to connect people from urban communities to people in rural communities.

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Nevada Humanities